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THE CATHEDRAL OF THE ANNUNCIATION

The Cathedral of the Annunciation  The cathedral of the Annunciation was built in1484 – 1489 by Pscov masons to replace the dilapidated cathedral of the early 15-th century. It served as a private church ( family church) of Moscow princes and later tsars. Originally it was a small brick church with three domes. In the vaulted chambers of the cathedral the princes used to keep their treasures. After alterations in the 16-th century the edifice became a 9-domed cathedral, magnificent and picturesque. The domes were covered with sheets of copper and lavishly gilded . So chroniclers had a good reason to call the church “golden-headed”. Now this elegant edifice justifies the ancient popular nickname. It was also in the reign of Ivan the Terrible that the south-eastern porch with the tall staircase decorated with carved stone was built on to the cathedral. After marrying for the fourth time the tsar could no longer appear in the church. Such were the rules. He found a way out by having this porch built leading to the gallery from where he could see and hear the service.

The cathedral is rather small, so it was intended for a limited circle of worshipers. Four pillars support the vaults. A spiral staircase built in the thickness of the wall runs to the balcony. From the gallery (gulbische) three stone portals lead to the hall. They are adorned with magnificent carving on white stone. A graceful ornament of creepers, flowers and vases is covered with blue paint and edged with gilt. The copper doors of the portals are also objects of great artistic value.

The first paintings were made in 1508 by a group of artists headed by Theodosius, son of the gifted painter Dionisius. It was only after the restoration works done in the 50-s of the 20-th century that people were at last able to see and appreciate the frescoes. They had been painted over  five times, and were so thickly covered with soot and grime that they were considered lost without recall. The compositions deal with the numerous themes of the Apocalypses. They tell about the destinies of the world and mankind, about the struggle against evil, about the coming punishment for sins.

The gem of ancient Russian art is the iconostasis. Seven icons of the festive tier are ascribed to Andrey Rublev (The Nativity of Christ, “Epiphany”, “Transfiguration”). The frame of the iconostasis was fashioned from gilded bronze in the 19-th century. An interesting feature of the building is the floor of jasper dating back to the reign of Ivan the Terrible.

In old times the cathedral witnessed magnificent wedding ceremonies. It safeguarded in the stone cellars the tsars’ wealth, among it the famous library of Ivan the Terrible.  

 

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